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From the “Pen” literary proofreading method of “Pen” by “Mao Poetry” “Review of the article and collaborate”
Author: Peng Hui (Doctor, Associate Professor of the Great School of Literature in Zhengzhou)
Source: “Guangxi Social Sciences” Issue 5, 2017
Time: Confucius was in the 2569th year of Wuxu, August 18th, Renxu
Jesus September 27, 2018
Content summary: Wang Niansun and Wang Yinzhi are representative figures of the Qing Dynasty’s classics. “Mao Poetry” is the crystallization of his study of “Pen Fu”. In the process of calculating the text of “Pen Fu” and the previous notes, the father and son focused on the proofreading thought of “reviewing the article and collaborating”. In short, it is to seek “high and low articles” for each other. “High and Low Text” not only contains the lyrics and sentences between high and low texts, but also contains the rhythmic rules of the high and low texts and the verbal habits at the beginning and end of the collection of “Ps”. It reveals the simple and simple Han language context of father and son, highlights the properties of Han language and characters themselves, and gives them in-depth explanations to future generations in the literary collection and Han language discussion.
Keywords:Wang’s father and son/”Mao’s poems”/high and low text/programming methods
Wang Niansun and Wang Yinzhi were national leaders of the Qianlong and Jiaqing school in the Qing Dynasty. “The Legend of YiTaiwan Baoshang NetworkProgramming” is a masterpiece of the two people proofreading ancient books. Wang Yinzhi followed his father’s learning and was good at studying. He “used elementary school teaching and elementary school teaching”[1], and evaluated and reviewed eleven ancient books of pre-Qin, including “The Book of Changes”, “Books”, and “Pen” to develop the sarcasm of the previous dynasties and resolved the doubts of the ages. His subtlety of his thinking and judgment and the strictness of his arguments are a pity. In the late Qing Dynasty, Jiao Xun called “Gao’s wife, Zheng, Xu Zhiya in “The Book of Thirty-Two Rebellions”. “The Book of Changes” was written by his son Yifu”[2]. In addition, even Fang Dongshu, who was strong in learning in Han, praised the title of “Gaozi Wang’s “On the Illusion of the Imperial Sayings”, which actually made Zheng Zhu hold his head up. Since the Han and Tang Dynasties, there has been no comparison” [3]. Among them, “Mao Poetry” is the crystallization of the wisdom of the father and son studying “Poetry”, and a total of 150 proofreading conclusions were collected. It is not difficult to find that when you read the whole article, you can find it. If you go through the specific realities of locating texts and dredging lyrics, a goal-making concept is to “reflect on this article and collaborate” (Wang Yinzhi’s “Translation of Words·Preface”). In short, it is alsoThat is, “high and low texts”大官网①口网①口网. Among them, “high and low text” not only contains the lyrics and sentences between high and low texts, but also contains the rhythmic rules between high and low texts and even the verbal habits that go through the beginning and end in the entire “People”. It Baoqing Sweetheart Network expresses the influence and contract of the language on the word, and embodies the simple and feasible Han Dynasty view of the Wang father and son. It is precisely based on this scientific understanding that the Wang father and son are unconventional and have the courage to discover, and restore the authenticity of the “Pen” text and the remarks of the previous notes.
1. Apply the special “Sister, wipe your clothes first” in the article “Pen” “Sister, wipe your clothes first.” The layout
As the first collection of poems in my country, “Pen” is a pure and easy-to-understand and clear-cut one. In terms of the word use, many poems preserve the faces of the original lyrics, and use sentences with similar numbers of words, similar syntaxes, and few words to describe the real life, and express the charm of the character. In this way, it not only facilitates memory and is conducive to singing, promotes its popularity in later generations, but also forms its compositional examples of repetitive chapters and three-part scripts, and enhances the artistic contagion of poetry songs.
The ancient sages have discussed the composition of the “retross” in “The Book of Songs”, and the Wang father and son also understand it. In “The Book of Songs: General Sayings”, Wang Yinzhi once mentioned: “The article has several sentences in a flat manner, and the meaning is very similar. If it is explained in terms of the category, it is more like a single one, otherwise the height will be different, and the original point will be lost.” [4] In this regard, although he did not politely talk about “The Book of Songs”, it is enough to highlight the father and son’s in-depth understanding of the language examples represented by “The Book of Songs”. Therefore, with this quality and scientific understanding as support, they applied the harmony and unity of the previous and after chapters of the poem, so that they can prove each other and refine and correct their remarks.
The chapter “Wang Feng·There is a skeleton in the middle valley” in one chapter “The skeleton in the middle valley, and it will skeleton in the middle valley.” Mao said: “The skeleton is a skeleton in the middle valley, and it will be skeleton in the middle valley.” The grass grows in the valley and hurts water.” The second chapter “The skeleton in the middle valley” says: “The skeleton is a skeleton in the middle valley, and it will be skeleton in the middle valley.” The skeleton in the middle gate says: “The skeleton is damaged by water, and it will be Baoqiang Club is moist, and it is sluggish, and it takes a long time to dry.” The raving statement: “小” is a “小”, or “小”, “小” says: “小” means “小”. “小” is a rebellion of the state, not a rebellion of the state, it can be said that it is said that “小” is a rebellion of the state, not a rebellion of the state, it can be said that it is said that “小” is a rebellion of the state, but it is not a rebellion of the state, it can be said that it is said that “小” is a rebellion of the state, but it is not a rebellion of the state, it can be said that it is said that “小” is a rebellion of the state, but it is not a rebellion of the state, it can be said that it is said that “小” is a rebellion of the state, but it is not a rebellion of the state, it can be said that “小” is a rebellion of the state, but it can be said that “小” is a rebellion of the state, but it is not a rebellion of the state, it can be said that “小” is a rebellion of the state, but it can be said that “小” is a rebellion of the state, but it is not a rebellion of the state, but it can be said that “小” is a rebellion of the state, but it can be said that “小” is a rebellion of the state, but it can be said that “小” is a rebellion of the state, but it is not a rebellion of the state, but it can be said that “小” is a rebellion of the state, but it can be said that “小” is a rebellion of the state, but it can be said that”Suppress the stem” does not mean “suppress the moisture”, but “suppress the moisture”, which is the difference between “suppress the moisture” and “water moisture”. “Moist” is also dry. “Guangya” has the word “” and says “exposure”. “Guan Jiyi” quotes “The Book of Literature” and “I want to be dry” and “Yu Pian” “, Qiu Liqiu is a tick, he wants to be dry.” The ancient characters are borrowed, but they are called “水”. The “sweep” in Chapter 2 and the “moisture” in Chapter 3 are the same as the “gan” in Chapter 1, so their condition is all called “正”. “海” means the appearance of Gan. When the age of drought, the grass withered. The dryness of the wool is caused by drought, not by water. (Volume 5 of “The Legend of the Condor Heroes”)
“Wang Feng·Han Gu Youqi” describes the tragic encounter of a man who was abandoned and filed without complaints in the age of famine. Regarding the word “海” in the three chapters, Mao Heng was bound by the shape of the character and pointed it with the common meaning of “海海海”. Zheng Xuan followed his words and there was no new explanation. Here, Wang Yinzhi stepped forward from the differences in the previous and subsequent

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